The film deals once several examples of the overarching theme of the Anthropocene Extinction, in that the progression of Homo sapiens has caused the greatest accrual total destruction back the KT make miserable 66 million years ago, including global warming and poaching, and the efforts of scientists, photographers and volunteers to guard endangered species. The film implicates overpopulation, globalisation and animal agriculture as leading causes of obliteration.
The film deals following the illegal wildlife trade, including the filmmakers exposing a whale meat restaurant in the US (almost the same day Louie Psihoyos was originally planning to gather his Academy Award for The Cove) and covert undercover investigations of the shark fin and Manta ray gill trade in Hong Kong and mainland China for received medicines. The film in addition to documents affluent efforts to late growth manta rays regarding the CITES Appendix II list of protected species, for that defense stopping the village of Lamakera upon Solor in Indonesia from killing them to supply demand in China.
The film refers to the Baiji and the Hawaii as recent examples of extinction, and identifies the Amphibian total destruction crisis, the overfishing of sharks for shark fin soup and as bycatch, along along in addition to others, as current causes for issue. More specific examples add happening the imminent extinctions of the Florida grasshopper sparrow and Rabb's fringe-limbed treefrog (the last individual of which Joel Sartore photographs).
Anthropogenic global warming from greenhouse gas emissions is identified as a leading cause of total destruction, as organisms cannot control single-handedly to unprecedented changes in not unaided temperature, but weather, ocean chemistry and atmospheric composition. The film focuses upon the amount of methane produced by livestock, particularly cattle, and trapped methane escaping from sedated reservoirs in the Arctic, the latter drawing parallels to the runaway greenhouse effect that may have caused the Permian adjunct extinction that wiped out 95% of species. Carbon dioxide and methane emissions from transportation, animals and factories are made visible to the human eye for the first era considering a specially intended high definition FLIR (objector infra red) camera, taking into consideration a special color filter. Ocean acidification and the subsequent degradation of corals and auxiliary calcium carbonate-based marine organisms are revealed behind lab experiments and comparisons of archived photographs to the confess of the same reefs in the 2010s. The degradation of marine ecosystems and the implications of coastal habitations are highlighted.
The filmmakers moreover achievement out in the expose of Obscura Digital to design a custom Tesla Model S fitted considering a 15,000 lumen projector system to project images of systematically endangered and extinct species onto public buildings including Shell factories, Wall Street, Headquarters of the United Nations, the Empire State Building and the Vatican. As ably as the greenhouse gas camera by now mentioned and the projector, it is after that the first car in the world considering electro-luminescent paint, inspired by bioluminescent organisms, and projects endangered animal sounds from the Bioacoustics Research Program. This be poorly aimed to raise attentiveness and auspices people to shape habits to ensure the relic of species for far-off-off ahead generations, accumulation highlighted when the 'Start With One Thing' Campaign.
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